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“Christmas
Eve Dinner”
Event © Paul
Kreider 1/5/11
There
were only four of us at the Formica dining table, but it seemed like
more
because of the cramped apartment, humid with oven heat, loud with
television
holiday music noise. The event was
Christmas Eve dinner. The place was my 22-year-old son’s
“dining room/nook,”
short on elegance but long on family and warmth.
My
holiday accommodations, a nearby palatial home of a vacationing friend,
would
have easily provided a more spacious and gracious environment but I
resisted
that temptation in favor of the potential lessons learned by my son in
hosting
a family event in his own space. I was not disappointed.
Our
collective Christmas Eve Dinner Experience, a minimum of twenty-two
formal and
opulent family feasts engineered over the years by their mother,
stretched down
through the years and hovered overhead, poised to pounce on that
Formica table
top, for critical comparison to the relatively simple meal to which we
all
contributed in our own way.
My
daughter
Lea brought roasted carrots and my son Jesse an oven roasted turkey and
some
bottles of wine he had been given by his employer. My daughter’s
husband Neil
brought his appetite and I had prepared the family jewel, rice and
sausage
stuffing, redolent with sage; a family icon of the holidays.
When the
turkey was pronounced ready after its 20 minutes resting on an
inappropriate
but functional hors d’ oeuvre tray, a hasty search through the
jumbled drawers,
just like you have in your own kitchen, produced a seldom used sharp
carving
knife and the initial slices fell to the outstretched plates.
As we
took our random places at the table (no formal place cards at this
event!), I
raised my wineglass and said some heart-felt words about the economy
being in a
depression when good and talented people could not find work, and that
as a
family we would work through the rough times to eventually look back on
this as
being a happy time.
Even as I
was hearing myself say them I wondered if my words sounded trite and
hollow. How
could this ever be a happy time? I sat at this table with my children,
having
failed at the business that should have sustained them and provided
education
and employment. I had lost the home they grew up knowing, the
prosperous
friends and neighbors. By moving away, I had lost friends and
acquaintances that
made up my hard won daily experience. I was finally coming to grips
with the
realization I had lost the love of my life to distance. My life was
forever
changed and not in a happy way.
But my
family remained, and I needed to be strong enough to be their
foundation, even
if I could not support them. So we drank the wine, amazingly good, and
talked
the happy talk of being together on Christmas Eve.
"Harvest"
Color © Paul
Kreider 1/19/11
Every
year for the past thirty-eight years, as September meshes into October,
I have
stood in a sunny vineyard somewhere, surrounded by rows and rows of
greenback
grapevines, each holding its share of burgundy-colored clusters, now
ready to
be harvested.
My
crews,
not the brown professional Hispanic pickers you might find in a large
commercial operation, but paler friends and acquaintances who thought
doing
some real work in a production vineyard would lend some contrast to
their
normal work lives. Their workdays were mostly spent in chairs behind
glowing
computers, pursuing abstract assignments in chase of a buff paycheck,
spit out
into their bank accounts automatically by the corporate controller.
This, in the
vineyard, was a different kind of work.
The
more
experienced of the group, meaning those who had picked with me at least
once
before, grabbed a canary yellow picking bin the size of a small
suitcase from
the inverted stack on the back of the truck and started cutting bunches
of
grapes from the canes with curved orange handled serrated grape knives.
The
staccato sound “plunk, plunk” of the first picked clusters
hitting the bottoms
of the empty bright yellow bins was the opening sound of the
year’s harvest
symphony. The bright equipment colors
served a purpose: you could easily see an intense orange knife
accidently dropped
in the bins among the ruby grapes, and a bright yellow bin was easy to
spot
among the green vines, so it didn’t get left behind in the haste
to rush the
harvest to the winery.
The less
experienced listened carefully as they were instructed on which grapes
to pick
and which to leave hanging... The ground rule was: “if you
wouldn’t put it in
your mouth, don’t put it in my yellow bin.” The rule was
meant to limit the
amount of moldy, raisined or rotted grapes that were crushed into the
wine
vats. The other rule was about color. “We want this dark ruby
color in our
grapes. They are fully ripe. If they have a greenish tinge, or if they
are slightly
ruby, they are not ready to pick so leave them hang.”
My pickers moved slowly
but steadily down their assigned
rows, pausing to enlist another empty bin when their full one was
properly
hidden in the dark shade beneath the leafed canes. They stopped to
shout a
question, to regard the color of a bunch, or to wipe the sweat from
their
faces. We all wanted to finish this task before the sun climbed high in
the sky
and warmed the ripe grapes, increasing the chance for spoilage. Oh,
they’d have
something to talk about at the office, come Monday.
Touch © Paul
Kreider 2/9/2011
"November
Mushroom Hunting on the North
California Coast "
I am
walking through the aromatic pine forest, soft moss and pine needles,
rotted
wood underfoot, the cool, moist air caressing my face along with the
occasional
brushstroke of a soft tree branch. I cannot imagine being in a place
more
peaceful or soothing. The sound of the surf is distant but constant in
its
cycle. I am here to follow one of
mankind’s most aggressive instincts: to hunt food and rip it from
its quiet
wooded scene and bring it home.
Hunting
and gathering mushrooms has its dangers, so my experience has honed my
awareness. The senses of sight smell and touch all play their part in
assuring
I don’t end up poisoned and needing a new liver.
The sight
of a beer can-sized mound pushing up to disturb the smooth landscape of
fallen brown pine needles beneath a
huge tree,
quickens my heartbeat, in exactly the way a deer hunter’s heart
beats faster
when a magnificent stag enters his killing zone. The beat is a faint
pressure
in my ears, a tympanic drumbeat. Dropping to my knees on the damp
sponge-like
forest floor, I remove my woolen glove and the cool air immediately
chills my
damp skin. Gently removing the prickly brown needles from the bump and
knowing
I might just be uncovering a discarded beer can, I am excited to feel
the
typical shape of the boletus, or prized porchini mushroom I seek in
these damp woods.
Pushing
the stiff needles aside with my bare hand, I touch the rounded cap of
the
mushroom. Smooth and cool as a porcelain coffee mug, dry and cool, my
touch
confirms the mushroom. Had it been slick and wet, it would have meant a
different species. My fingers slide around the top to probe underneath
the cap.
The spongy, rather than gilled, underside is another confirmation of
its
edibility. Pulling the base gently, the fungus is released from the
damp earth.
The surprisingly heavy weight is another testimony to the magnificent
prize I
have found.
"Yum"
Taste, © Paul
Kreider February 13, 2011
When I was twenty, I lived in a small
town in Northern Germany while on a
self-designed educational sabbatical, with the intent to improve my
German
language skills. In the town, a well-used public park lined both sides
of the
river that ran through it. Late at night as I walked home from a
friend’s,
crunching along the gravel path through this park, I would stop at
Willi’s
sausage stand, a small light trailer that was always open for business,
surprisingly, at that hour, no matter the season..
Willi,
a rotund, red-faced man in
mid-life, dispensed the sausages himself. They were heavenly. Six brown
inches
of grilled veal and pork perfection, hot from the propane-fired grill
that
warmed the sausages and Willi, too. The masterpiece was served with a
small
crusty brotchen bun and a dollop of piquant dark yellow mustard
all
presented with a small white napkin on a card tray you could hold in
one hand
while eating with the other as you walked the park path.
You held
the sausage, dipped it in the
mustard and, ‘snap,’ took a bite through the casing to
release the savory juicy
meat as it intermingled with the vinegar and salt flavors of the
mustard. You
used the napkin and finished off with a contrasting bite of yeasty
bread.
This
example of culinary perfection and
contrasts cost one Deutsch Mark, at that time exactly twenty-five cents.
Willi’s
sausage trailer was the main
reason I returned to this small town on the river whenever possible
when I was
in Germany,
first as a tourist then as a businessman, due to my German language
skills. Neither sausages nor Willi ever
changed. Until on one trip I made from Hannover.
He and his trailer were gone.
Wrrite
like a child
© Paul
Kreider Feb 22, 2011
"The Good Storm"
High
on the wind-blown cliff, a log cabin structure creaks and with paned
eyes peeks
over the edge at the channel’s sunlit blue water showing white
eyebrows on the
waves.
Tall
trees waving grass-like in the
chill gusts hail the brave sailboats, zipping by all white and
razor-neat,
trimming the eyebrows and tossing the white hair to the side in the
wind.
An
adult, a man, is framed in one of
the windows, holding a coffee mug and gazing out at the play. In the
near
distance, black clouds promise that the water soon will change from
blue to
gray, and the eyebrows won’t go away. “Too dangerous to go
across,” he says
“We’ll have to stay until it calms down.” Other
adults with planes to catch and
places that need their presence groan, while I smile and reach to play
another
game of dominoes with my son. This is
precious time together, savored by each of us.
The adult
reaches up and releases the
blinds, and the cabin on the cliff closes its eyes in sleep.
"Digging to China"
© Paul
Kreider March 8, 2011
I grew up as the second oldest of six children in a family with
few extra dollars to spend on entertainment. We were forced to just
have fun of
our own making. I learned at an early age to expect nothing to be
provided
except an annual “vacation” at my grandmother’s house
in scorching hot Porterville in California’s Central
Valley. Only later as a
young adult
did I realize that having one or two fewer children running around the
house
was really a vacation for my mother, as much as a change of venue for
those of
us reprieved to Porterville.
As
soon as possible upon arrival at my grandmother’s house after
the endless baked ride in an open-windowed Plymouth, I shed my shirt and jumped
off the
back porch into the barely civilized garden. It was cooler there, among
the
orange, fig and grapefruit trees. Unlike in any other space in my young
experience, I was free to create my own world, unfettered by parental
boundaries.
It
didn’t take many days of climbing trees, searching for buried
treasure and watching ants climb before I was bored and yearned for a
large project.
Who knows where the idea to dig a hole to China originated. Perhaps
from one
of the many books I’d read so voraciously.
After
announcing to my grandmother that I was going to dig a hole
to China
and obtaining her smiling approval, I gathered a shovel and pick and
got to
work at a spot right off the porch. In the sun and in the hard adobe
clay, I
realized very quickly. But being one of six kids, I had learned to give
up only
after a fight, so I picked and shoveled and grunted and sweated until I
was
waist deep. At this depth the earth became cooler and less compacted,
easier to
dig. My grandmother came to the back porch to check my progress and
bring me an
ice cold root beer, the kind she ordered by the case in bottles when
she knew
grandchildren were on the schedule.
“Hmm,.”
she grandmothered. “Looks like you have a ways to go.”
Thus
validated and refreshed, I continued my endeavors until I was
almost fully hidden in the cooler earth. At that point I realized the
faulty
engineering of the project, as it became increasingly difficult to dig
and
shovel the dirt out of the hole. I managed to climb out and surveyed
the shaft.
At that point the boy who lived next door came home and asked if I
wanted to
run through the sprinklers in his front yard. That suddenly seemed a
much
better idea than digging to China,
an idea he immediately quashed with the information that the
earth’s center was
molten lava.
The
sprinklers felt wonderful. Later, when my grandfather came
home he was less amused by the gaping hole in his back yard. He made
sure I was
planning to fill it back in, so nobody “fell in and broke his
neck.”
Workplace jargon © Paul
Kreider March 15, 2011
"The winespeak"
“Let’s
discuss this red wine.” My wine appreciation class
was off to a smooth start. One of my
“students” seemed more experienced than
the others and I suspected she would be the source
of the inevitable challenge
to the “teacher” by someone who thought she should be
teaching the
class
herself.
“Why don’t
we start with you, Rae?” What are your thoughts?”
Rae took another sip as
if to reassure herself, and
perhaps to screw up some courage.
“I think it has far too much tannin to be
enjoyed now.”
“Where do you
think the tannins come from?” I queried.
“From the
grapeskins and the oak extracts from the
barrel.”
“What else gives
this wine that tannic roughness?”
“The alcohol
isn’t integrated yet.”
“Where does that
alcohol come from?”
“The sugar is
converted to alcohol by the yeast.”
“So the sugar
was…”
“High. About 25
degrees Brix.”
“And?” I
prompted.
“The yeast
fermented it to dryness.”
“Resulting in a
wine that…?”
“That is well
over 14% alcohol.”
“What about the
T.A.?” I asked
“I’d say it
was higher than it should be.”
“Telling
you…”
“That the grapes
were grown in a cool climate, maybe on
the coast.”
“pH?”
“Low. Probably
3.2”
“Been through
ML?”
“I think
not,” she answered.
“So, probably
sterile filtered, do you think?”
“Yes, at least
.45 microns.”
“Sulfite?”
“40 parts per
million free.”
“R.S.?”
“Not much. Less
than .02%”
“So, Rae, do you
like the wine?”
“No.”
“Does any one
else have a comment?”
Silence.
Story
about my name © Paul Kreider 3/30/11
"The
Advertisement"
When
I was a recruiter for an international tool manufacturer in the
1970’s, our modus operandi was to
place expensive ads in Sunday newspapers in locations where we needed
employees.
The advertisements included our requirements and an 800-line telephone
number
potential candidates could call on Monday or Tuesday and speak with
Paul T.
Kreider, the recruiter. I would conduct a telephone interview and if
successful, would set up an in-person appointment at the work location.
As
a result of this process, I spent a few days of each week traveling
to and interviewing in places like Jackson,
Tennessee, Bismarck,
North Dakota, and Orange, Texas.
The
week of this story, we were running ads in Orlando, Florida.
On Monday morning my secretary/assistant, whose name was Desiree
Savage,
information I include here only because it was such an evocative name,
rang my
office telephone. “Paul, I have a Florida
candidate on the phone.”
“Okay,
what’s the name?” I enquired
“Paul
T. Kreider,” she giggled.
“Very
funny.”
“No,
really. He says his name is Paul T. Kreider.”
First,
you have to know that my name is unusual. Kreider is of German
origin, then Amish, then Mennonite. If you looked up
“Kreider” in a Pennsylvania
or Ohio
telephone book, when there were telephone books, you would have been
rewarded
with columns of my Germanic relatives. On the west coast, this was not
so much
the case, usually just one or two Kreiders, often one of my ex-wives or
one of
my local siblings. So having someone on the telephone with my exact
name was
beyond unusual. I picked up the line.
We
quickly established the fact that our names were not exactly the
same. His middle initial was for Thoracius, mine was for Thomas.
Indeed, he was
originally from Pennsylvania.
To make a long story shorter, although he was not qualified for the
job, we had
dinner in Florida
during which we established that we had common ancestors and similar
features.
Desiree was disappointed that a long-term family friendship did not
develop,
but it was the ‘70’s and no one had time for something like
that, particularly
on the other side of the country..
“Meeting
Maggie Grady” © Paul
Kreider 4/11/2011
Story
out of my life
In
my opinion, few people can truthfully say they entered young
adulthood on their own terms. Most of us pursued a path chosen by our
well-intentioned parents, based on their vision of what and who they
thought we
should become. My story is about a time that developed by my own
personal design,
and was executed completely by myself.
My
parents had spent my first twenty years pushing me toward their goal
of my becoming a doctor. If that sounds absurd, consider this: the
first books
I was given were not “The Cat in the Hat” or “Snow
White and the Seven Dwarfs”, but
medical books on human anatomy, and for
lighter reading, a brown bound copy of “The
Red Cross Emergency Handbook.” Seriously,
my parents wanted me to
be a doctor.
In
my second year of college I worked at a
summer job working in a hospital. Never
before had I realized medical professionals could be so overworked and
unhappy.
No matter how well paid these workers represented a course I should not
walk.
Never before in my life had I ever been, nor have I been from that time
forward,
so certain of a direction in which I should NOT go. Nor have I ever
been so
concerned in explaining any other “personal” decision to my
parents.
The
conversation with my parents did not go well. The
outcome was, “If you want to do something
else, fine. But we will not support you going to college to become some
liberal arts major.” Liberal arts were
somehow more disgusting than even being a Democrat, which was somehow
correlated.
So,
to finance my college education, this story finds me knocking on the
door of Maggie Grady, the head of the pathology lab at Kaiser Hospital
at Panorama City in Southern
California, a few miles from my
university. The position was as a
lab assistant and while you might find it ironic that the militantly
former pre
med student was applying for a medically related job, it is where the
bulk of
my college experience sat on the triple beam balance that was my life.
Maggie
Grady was, seen through the eyes of me as a
20-something job applicant, a kind-faced
woman with a nice smile who was pleased to find a college student (who
knew a
microbe from a microscope) at her door, seeking employment.
The
same Maggie Grady, seen through the current eyes of a
sixty-something adult male is someone entirely different. Maggie, I now
realize,
radiated an intense energy, some of it intellectual, a lot of it
sexual. She
was maybe 42 and very attractive in a Midwestern wheat farmer’s
daughter sort
of way, a way that was completely lost on the job applicant whose idea
of an
attractive woman was more along the lines of Ursula Andress, or as we
called
her, “Ursula Undress”.
After
our interview, we departed Maggie Grady’s office for a tour of
the
lab. I opened the door for her, as I had been taught by my parents.
This time
they were correct. Maggie looked up at me with her crinkly smiling
eyes, and murmured
huskily, “Such good manners!” As
my
world turned, we became friends and she told me months later that at
that
moment of politeness she had decided to hire me. That job, a really
good one it
turned out, paid for the final two years of my college education.
Although I
worked long hard hours, my life was forever changed and I never had to
look
back or regret my personal decision to forego medical school.
Written to a
specific group
© Paul
Kreider April 18, 2011
"To
the writers in this room"
You have power in your ability to write; it’s what
makes good writers
good and as the power increases, even better writers. It is the power
to move
and cause tears, the power to delight and cause laughter- always
magical, the
power to create long-lasting images like the farm dust on the
windshield of a
blue combine, or silly small boys swatting at stinging yellow jackets
in a barn,
or the image of riding on a packed bus with a smelly casserole on your
lap, and
the anxious wonder of being an unwilling participant in a bank robbery
at a
tender age. Long after you exit this
room and move on to whatever room is next in your life, these images
and
emotions will remain behind, alive for those of us who have paid
attention.
The
power of what you strive to create is audible in the background of
your mind. It’s like a set of kettle drums beating as you compose
the movements
of your symphony at your keyboard note by note, letter by letter..
There
is power in what you do and it affects those who are in your life.
There is an inherent respect for those who can communicate effectively
in
writing, from the child who “sees” the story being read to
her to the seasoned
adult who changes her mind because of a magazine article presentation.
If you
are at some level a naturally talented writer, you might not realize
there are
people who simply cannot string three words together easily, and they
look to
you with some awe.
At a
time when I was raising my two children as a single dad, working
independently in what can only be described as a non-traditional
environment, I
wondered how my 9 year-old-son viewed my life. “Jesse, “I
ventured, “if someone
asked you what your dad did for work, what would you say?”
Without hesitation
he replied, “I’d say he made wine and wrote books.”
In another indicator, my
daughter, then about 14, purposely left on my computer a poignant if somewhat brutal short story she had written
about a line of little ducklings in the grass being snatched one-by-one
by a
silent hungry hawk. It was titled “Sudden Death,” but the
words that seemed to appear
and were in fact the boldest were “by Lea Kreider.”
The
ability to produce images, emotions and impact in our writing is
what everyone in this room is striving to improve. A very wise man once
told me
the following: each level of thought was
associated with a different level of energy, automatic thinking at the
bottom
and creative thinking at the top. Someone had the boldness to ask him,
“If
creative energy is at the top, where does it come from?” His
answer, which was unsatisfying
at the time, was “It comes from nothingness. You collect it and
it is manifest
by you and by you alone.” Not satisfying, perhaps, but it has
popped into my
mind every time I have sat down to create something, be it a love
letter, a
wine article or a piece for this class. Each of us collects energy and
puts it
down on paper. And that is a lot of power.
“Beatific”
A
brief portrait of someone I knew. © Paul
Kreider, April 22, 2011
When
I think of him now, I am sharply aware my view of him is distorted
by the shimmering waves of time, as in a crinkled photograph having
been stored
in a damp place. He was born in July, 1859 and died a week after his
birthday
in 1950. He was 91 and I had just celebrated my fifth birthday. You
might not
think that five years is long enough to “know” someone as
important as your
great-grandfather, but I did know him and in the emotional chaos that
was my
young childhood, I sensed he was a special person.
He
had a beatific smile which radiated the peace I like to imagine he
found in his life. He communicated with me, as I recall, more with that
smile,
through his pale blue eyes and with the touch of his cool hand on my
head, than
with his voice. It had a slight waver to
it, so you needed to listen closely to hear what little he actually
spoke. I
think, like many elderly people he delighted in the vitality of
children and
found some sustenance in it. We sat together underneath the large fig
tree, shaded
from the central valley’s hot sun and communicated wordlessly,
each in our own
way.
Had
I been older, I am sure he would have told me of the trials of being
a banker in those early days and of his experiences in the Panic of
1893 and
the hard times that no doubt caused some of the lines etched in his
kind,
always clean-shaven face. There would have been exciting tales, for
sure, of
wild life in Colorado and Utah
and in early California.
But I would read of that later, in his memoirs. For the moment it was
enough to
sit on a warm bench under the fig tree, with his light arm around me in
that
reassuring way.
A
moment I remember clearly
“The
Telephone Call”
© Paul Kreider 4/30/2011
I
picked up the telephone receiver. It was black and heavy, built to
last as they were in those days, you might remember.
The earpiece against my ear, my finger in the
rotary dial, I turned and released.
Three.
Tick. Tick. Tick.
Five.
Tick. Tick. Tick. Tick. Tick.
Two.
Tick. Tick.
In a
way, teens nowadays are missing the drama of making a telephone
call. One push of a plastic button and they are in conversation. No
chance to
think or fret about what they are going to say. No chance to hang up.
This one
almost ended that way. My hand perspired and I could hear the beat of
my own pulse
against the ear piece.
Seven.
Tick. Tick. Tick. Tick. Tick. Tick. Tick...
One.
Tick.
Two.
Tick. Tick.
Four.
Tick. Tick. Tick. Tick.
Pause.
The urge to hang up was almost overwhelming. The connection
finally happened.
Whurrd.
Pause. Whurrd!.
I released my clenched breath with a loud
exhale. “Pooh!”
Whurrd!
Pause. Click! She picked
up. She answered!
“Hello.”
The familiar soft voice resonated.
“Hi,
it’s Paul. Paul Kreider. Um, I was thinking that it um, would be
a
lot of fun if we went to the dance at school this
Saturday. Together. My Dad could drive us. It would
be fun.”
Pause.
Forever. My mind raced. Did she even remember who I was?
Finally,
“Yes, I am sure it would be lots of fun. But
I think the person you want to talk to is Patricia.
This is her Mom.”
Aarrrrrrgggggggggh!
It
is apparently not possible to actually die of embarrassment.
a song title
© Paul Kreider May 7, 2011
"Brown-eyed girl"
There was nothing
remarkable about her. She was attractive
in a normal sort of way. Now that I think about it, handsome would be a
better
description, female handsome with high cheekbones and dark flowing hair
framing
a firm jaw, no makeup. She was friendly, but not artificially gushingly
so,
bright and smiling without being tiresome. Calm with a laugh that was
natural
and mellifluous. Indeed, I had been in her presence at least five times
before
I learned her name, Rae, by accident rather than by design.
This
was so different from meeting my last love, Kay,
whose quiet entry into the room and into my life was on a broadcast
shock wave
of sexual energy, wordlessly demanding attention. Every guy in the room
and a
couple of the women stood staring, transfixed and, I now imagine,
nostrils
flared. How someone as ordinary as I attracted that prize, will always
be a
wonder to me. She said it was my tenderness and caring and that I was a
soulful
kisser and a wonderful cook. We were together for four incendiary years.
Rae,
on the other hand, grew on me slowly. I don’t think I
did more than casually notice her until one day I had a document I
needed to
give to her. She was talking to someone, and must have seen me crossing
the
room. As I came up to her she swung to face me, alert and attentive,
face
filled with smiling anticipation and eagerness. Even so, I noticed she
did not
make direct eye contact. We spoke cursorily. Business finished, I
returned to
my chair to ruminate the attentive part
of her reaction and to examine how I could have not realized how
beautiful she
actually was.
At
break a few days later I happened to see her standing
alone by a window. I wanted to talk with her about a project we could
be
working on. This time she looked me in the eyes as we spoke. I have no
idea
what I said to Rae because those brown eyes captured me in a way I had
never
been held before. They were like looking into the depths of a warm and
welcoming brown cave. I felt, distinctly, as if I could have easily
lost my
footing and fallen in. Still smoldering from my last experience with
Kay, I
stammered and stepped away from the edge, safe, at least for the
moment.
"Small Town Blessings"
© Paul Kreider May 20,
2011
The
air was heated by the late summer sun. It was quiet
and still, except for the wavy buzz of an early cicada broadcasting
urgently
for a mate. The wooden screen door slammed, the “thwack”
followed by the
staccato thumping of sneakers on the gray wooden porch stairs. The
cicada
silenced abruptly. Cicada interruptus.
The
worn sneakers dressed the feet of a small boy also clad
in faded blue jeans with scuffed iron-on knee patches curling at the
edges and
a red T-shirt. He ran all out, down the stairs, across the small back
yard, out
the open gate and up the driveway until he reached the street. Still
running,
he turned right, zipped past Mrs. Munroe’s rose- covered house
baking in the
sun and into “the park,” an island of dusty property
created by the looping
circular street, set with houses that overlooked the unlikely space.
The
town had not improved this space in any way. It had no
water fountain, no lawn or grass, no bench or bathroom. Just dusty dirt
and a
few enormous date palms most likely sprouted from bird-transported
fruit from
more orderly environs. The park’s main attribute was that the
mothers who lived
in the surrounding houses could “keep an eye” on their
playing children..
The boy ran to the
center of the space and was met by his
four friends. There were now enough for a game. In any other country of
the
world, the game would have been soccer. Here in the dusty park, it was
kickball, played with all the spirit and energy others played their own
games
on hot summer days in different countries.
The game progressed
with shouts and protestations, each
participant trying to outdo the other. Rules were sometimes stretched
to fit
the situation; you actually needed six players for a real game of
kickball. As
the sun inched down in the west and shadows lengthened, a sense of
conclusion blanketed the game. It
was
sealed by a mom’s voice from one of the surrounding windows,
“Timmy, it’s time
for dinner!” Game over. The dust
settled
and, eventually, the cicada resumed his insistent plea.
Later
in his life, when people asked any one of the small
boys, now grown, where he was from, his answer, “Berkeley, California”
would invariably conjure up images in them of long-haired hippies,
student
riots, free speech explosions and mayhem. But it never delivered images
of
small boys playing kickball in a dusty park on a summer’s
afternoon.
© Paul
Kreider Monday, May 30, 2011
"Youth
Lessons"
“I
just turned eleven. I’m a big girl, I can take care of
myself!” Kathy
jutted her chin out in defiance, eyes blazing with the strong emotions
she displayed
so naturally.
Kelly,
her beleaguered mother, blew a wisp of light brown hair from her
eyes with a breath that was as much exasperation as anything else.
“Well, I
don’t care if you are eleven. Until you are eighteen, you will
NOT be going to
any overnight beach party without my permission!”
“You
are so mean. Everyone is going to be there. I’ll be the only one
who is not. I bet if Susan were my mother, she’d let me go!”
Susan
was Kelly’s close friend, one with grown children, who lived up
the street. With the admission of the
adult Susan as a player into the scene, there was potential for it to
escalate
into something really dreadful.
“What
makes you think Susan would let you go to an unsupervised
all-night party?”
“Because
she loves me. She said I could come and live with her any time
I wanted.” Having said this, Kathy ‘s eyes got larger as
her mother reached
into her bedroom closet and grabbed a pink suitcase covered with images
of
unicorns and tossed it on the bed. “Let’s see about
that.”
With
perfect timing who should arrive at the bedroom door, leaning
against the jamb, but me. “What’s the problem here?”
Both started talking at
once. “Kathy wants to go live with
Susan,” Kelly blurted out first. “Mom won’t let me go
to the party.”
“Yes,”
I replied to both, “I heard all about it outside in the back
yard.”
“Let’s
see what Susan says.” The telephone was at hand and on automatic
dial.
“Hi,
Susan, Kathy would like to come live with you. Is that OK?”
“Okay,
good. Good. Good.”
“Will
she have to pay rent?”
“Oh,
that’s not too bad. She can earn the money doing the dishes and
cleaning the bathrooms? Okay, that’s good. I guess we could rent
out her room
here and help with the expense.”
At
this point I could see out of the corner of my eye that Kathy had her
arms locked around the waist of her mother who was stroking her hair
gently.
“OK
we will be in touch. Oh, before you hang up, how do you feel about
her going to spend the night unsupervised at the beach with some
friends?” I
held the telephone away from my ear and directed it toward the two who
could
plainly hear the loud squawking of protest emanating from the receiver
as
Susan’s reply.
“Okay,
thank you, we’ll be in touch.”
I
hung up the telephone and turned to by wife and daughter, who were
hugging each other, sobbing, overcome with the emotional tsunami that
had
engulfed them both at this tipping point of parental control.
Although
there was no way of knowing then that this
scene would play out in its myriad forms in the future, I shed a tear,
too.
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